The latest output of Remote Possibility, Canis Horribillis, started out as an early instrumental effort of the virtual band called "Ummmm," which has some trippy xylophone and percussion effects and a compelling, if innovatively tuned, guitar riff by Vincent Knobil. But the ever churning mind of Matt Love, aka IcePac, dreamt up some lyrics for the tune - kind of mixture of "Hell Hound on my Trail" and "Knick Knack Paddy Wack" - and shopped it around for contributors.
To make a long story short, in this particular version (others may be forthcoming), I "sing" the main vocals, using my best western drawl. I also played the drums. A woman calling herself Liza did a test recording which I used snippets of in the beginning. The stars of the show, however, in my opinion, are the saxophone tracks provided by Ryan Ray. He rips a crazy solo near the end of the tune followed by some wonderful vamping against the percussion at the very end.
Mixing the song was a challenge. I had to do a lot of tinkering to get everything synced up and find a reasonable balance. I experimented with synth effects and creative EQ but was never happy with anything that I tried so I ended up using little in the way of effects except adding some reverb and touch of compression on the drum track. I dinked around with adding a bass line but couldn't come up with anything that sounded decent or didn't muddy things up.
Wednesday, September 24, 2008
Wednesday, September 3, 2008
Walking the Crags
Here's a simple tune I call Walking the Crags. It started out, as usual, as an exploration of various chords on virtual piano where I came up with a back-and-forth triplets riff using E flat and A flat minor ninths. Per my MO, I used the chords to create a scale with interweaving clarinet and vibraphone solos. The drums are minimal but live, I played them straight through and there's no editing. It's pretty soft groove and I was going for a nice airy sound with the cymbals. The biggest challenge was to get the bass to sit right in the mix.
Technically, the new thing here is a stereo pan plugin I downloaded free. It offers more control than Logic's default panning knobs and allows you to get the various voices in a more focused position in the stereo field. Otherwise, there's nothing fancy going on here..
Technically, the new thing here is a stereo pan plugin I downloaded free. It offers more control than Logic's default panning knobs and allows you to get the various voices in a more focused position in the stereo field. Otherwise, there's nothing fancy going on here..
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